Factory supplied 10″ Backhand Flat-nose Locking Pliers with Jackets to San Francisco Manufacturer

Factory supplied
 10″ Backhand Flat-nose Locking Pliers with Jackets to San Francisco Manufacturer

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We stick to the principle of "quality first, service first, continuous improvement and innovation to meet the customers" for the management and "zero defect, zero complaints" as the quality objective. To perfect our service, we provide the products with the good quality at the reasonable price for Factory supplied 10″ Backhand Flat-nose Locking Pliers with Jackets to San Francisco Manufacturer, We are glad that we are steadily growing with the active and long term support of our satisfied customers !


Basic  Information


■Model Number: RL-DLQ015

Additional Information


■Material: A3# steel (Q235) or 45# steel

■Size: 10”

■Surface Treatment: Nickel-plated, Zinc-plated, Black Oxide, Electrophoresis

■Heat Treatment: Optional

■Package: Blister Card, Suction Card, Tie Card, Double Blister Card

■OEM: Acceptable

■HS Code: 8203200000

■Samples: For FREE

■Delivery Time: Always 30 working days depending on the order quantity

■Packing: By standard cartons

Product Description


■Mainly used for clamping parts to rivet, weld, grind and so on, which is characterized by the powerful clamp force produced by the jaw. It can lock tight so that the parts won’t fetch away. Besides, jaws have a lot of levels to adjust for the use of different thickness of parts, and it also can be used as a wrench.

■Flexible using, long life and good tenacity.

■The screw tuning button can give the best clamp size easily.

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  • Shot on the streets and rooftops of sunny LA, our A-Z of Dance shows you how to set hearts alight and clubs on fire. In a very special project for i-D and Diesel, director Jacob Sutton has captured the world’s hottest dancers walking in the air in their Jogg Jeans and cut-offs.

    Subscribe to i-D: https://bit.ly/Subscribe-to-iD

    Connect to i-D’s World:
    Website: https://i-d.vice.com/
    Twitter https://twitter.com/i_D
    Facebook https://www.facebook.com/iDmagazineofficial
    Tumblr https://i-donline.tumblr.com/
    Soundcloud https://soundcloud.com/i-d-online-1

    A: Arabesque, Morgan Quinn
    B: B-girl, B-girl Terra
    C: Chicken Noodle Soup, Terence Dickson
    D: Death Drop, Nick Lanzisera
    E: East Coast Swing, Yani Marin & Nathan Kim
    F: Finger Tut, John P-Nut Hunt
    G: Grand Jeté, Julia Cinquemani
    H: Harlem Shake, Amanda Meade-Tatum
    I: Indian Bhangra, Reshma Gajjar
    J: Jump Style, Høps
    K: Krump, Jigsaw
    L: Liquid Dance, Phillip ‘Pacman’ Chbeeb
    M: Memphis Jookin, Lil Buck
    N: Northern Soul, Levanna McLean
    O: OMG, Anthony ‘Lil’ Bob’ Cabaero
    P: Pole, Nicole ‘The Pole’ Williams
    Q: Questionable, Reid Shapiro
    R: Rumba, Junior & Emily Alabi
    S: Step, Soul Steps: Dionne Norton, Heather DeLeon & Maxine Lyle
    T: Twerk, Lady Luscious & Mizz Twerksum
    U: Ultimate, Shofu Tha Beatdown
    V: Vogue Hands, Javier Madrid for Legendary House of Ninja
    W: Whine, Colleen Craig
    X: X-press Yourself, Ryan Heffington
    Y: YMCA, Allison Chu for Next Models LA
    Z: TurF FeinZ: Byron Vincent Sanders Jr aka T7, Donald Brooks aka Torch, Eric Bossett aka Kidd Strobe, Gary Morgan aka Noh-justice, Leon M Williams aka Mann & Rayshawn Thompson aka Looney2smooth

    Music: Le1f – Wut

    All clothing from Diesel & Diesel Jogg Jeans

    Credits
    Director: Jacob Sutton
    Executive Producer: Laura Holmes for Laura Holmes Production
    Director of Photography: Jackson Hunt
    Editor: Jarrett Fijal for Bonch
    Motion Graphic Designer: Sebastian Lange
    Production Manager: Pia Ebrill for Laura Holmes Production
    Casting Coordinator: Molly Zinar for Laura Holmes Production
    Local Producer: Wes Olson for Connect The Dots
    Local Production Manager: Meghan Gallagher for Connect The Dots
    Local Production Coordinator: Cassandra Bickman for Connect The Dots
    First Assistant Director: Knoko Chappele
    Production Assistants/Drivers: Hank Hartnell, Jordan Jolliff, Diane Kim, Saul Luzeus & Paris Potter
    Studio Teacher: Cyndi Raymond
    Focus Puller: Rachel Fox
    B-Camera Operator: Doug Porter
    Second Assistant Cameraman: Steve Doyle
    Camera Production Assistant: Nolwen Cifuentes
    Key Grip: Tom Whitehead
    Best Boy Grip: Matthew Lim
    Grip: Ivan Acero
    Digital Imaging Technician: Claire Fulton
    Video Playback Operator: Kai Morrison
    Gaffer: Brandon Musselman
    Swing: Kevin Scaggs
    Post Production: Josh Falcon for Bonch
    Colourist: Kevin Kim
    Editor’s Assistant: Anna Gerstenfeld
    After Effects Artist: Matt Detisch
    Photographer’s Assistant: David English
    Music Supervision: Pitch & Sync

    Stylist: Tracey Nicholson
    Hair: Tony Chavez for Tracey Mattingly
    Make-Up: Lisa Storey for The Wall Group
    Styling Assistants: Camila Dominique Jimenez, Timothy Chernyaev & Ali Raizin
    Hair Assistant: Mateo Sifuentes
    Make-Up Assistants: Megumi Asai & Hinako Nishiguchi
    Seamstresses: Lauren Bradley & Caroline Flach

    Executive Producer: Marcus Ray
    Executive Producer: Eddy Moretti
    Executive Producer: Shane Smith
    Executive Producer: Suroosh Alvi
    Executive Producer: Andrew Creighton
    Global Head of Video: Danielle Bennison-Brown
    Video Commissioner: Jack Robinson

    Special thanks to Diesel, i-D, Bloc Agency, Connect The Dots, Bonch & all our incredible dancers and their managers



    How to hack flashlight batteries and a fire brick, into a desktop arc reaction chamber. …For hobby metal melting, and for science!

    Some quick links to a few of the materials I used:

    [✓] Lantern battery: https://amzn.to/2cgnKxN
    [✓] Forstner Bit: https://amzn.to/2c1Ja3V
    [✓] 3/8 Drill bit: https://amzn.to/2cgl6rL

    Endcard Links:

    Micro Welder: https://goo.gl/ZmccT9
    Laser Blowgun: https://goo.gl/lu3o0M
    Magic Mud: https://goo.gl/5dtyXP
    Matchbox Rockets: https://goo.gl/jguunj

    See What Else I’m Up To:

    Instagram: https://goo.gl/C0Q1YU
    Facebook: https://bit.ly/FBTheKingOfRandom

    Business Inquiries: For sponsorship requests or business opportunities please contact me directly: https://www.youtube.com/thekingofrandom/about

    WARNING:

    Risk of electric shock, fire hazards, and toxic fumes depending on what material you’re working with. Dust from refractory brick should never be inhaled, as it can damage lungs and cause long term respiratory challenges. This project can reach temperatures in excess of 3,000ºF (1,648ºC) which is well beyond the melting point of hobbyists. Caution, care and expert planning are required to mitigate risks. Have fun, but always think ahead, and remember that every project you try is at your own risk.

    Music By: Scott & Brendo (“Photographs” – Instrumental) https://bit.ly/ScottBrendoiTunes

    Project Inspired By:

    This project was originally inspired by Theo Grey and his book, “Mad Science”. After seeing the concept, I couldn’t find any information anywhere on the internet or in libraries about arc furnace experiments, so I set out on my own to achieve these results.

    Project History & More Info:

    If you’re wondering where you can get fire brick locally, try a quick Google search for “refractory materials” in your city. I called a couple of companies near me and asked if they’d sell to the general public. All of them said yes.

    If you can’t find anything locally, try searching major hardwares stores online. They usually have inventory online that they don’t carry in the stores.

    The insulating fire bricks I got were the 3” x 4.5” x 9” Alumina-Silicate Brick variety. I got a box of 10 for $33, effectively making them around $3.30 each. I went one step further and designed the furnace so that 2 of them could be made from one brick, cutting the cost in half, making each furnace a pro-rated $1.65 each!

    They’re extremely lightweight, and capable of withstanding the temperatures used in steel working, but soft enough you can cut and carve them with kitchen utensils if you need to.

    In reading and studying history a bit, I learned that some of the earliest forms of light were made using carbon arc lighting. Large amounts of electricity were pumped through carbon rods, making a bright arc and providing light.

    To scavenge carbon electrodes, I took a lesson from NurdRage (youtube.com/NurdRage) a couple of years ago I saw his video on what could be scavenged from a carbon-zinc lantern battery (https://bit.ly/IBNurdRageBattery). It’s useful to know what common everyday materials are made of, and these heavy duty batteries are containers packed with carbon rods, zinc metal, and manganese dioxide. I tucked the information in the back of my mind until now.

    In this project I tried melting the zinc casings from the lantern batteries, and casting them into a small ingot, formed with a mini muffin tray. Be cautious of the zinc oxide fumes produced. I haven’t personally suffered any ill effects from working with it, but some people claim it can give flu like symptoms, or a fever if inhaled in large quantities.

    Zinc has a relatively low melting point 787.2°F (419.5°C), so the Arc Furnace is able to melt each casing into liquid zinc in around 5-10 seconds. That’s amazing!

    I don’t have an exact purpose for the zinc yet, but it’s an easy metal to work with, easy to cast, and great to have on hand for a future projects. It’s also one of the main metals used for making a simple carbon-zinc battery.

    The black stuff pulled out of the battery casings is manganese dioxide. It’s a useful chemical for experiments with hydrogen peroxide, so it’s worth hanging onto.

    Although I haven’t verified it, I believe any stick welder can be used to power the mini arc furnace, and for most hobbyists, that would definitely be the easier and safer way to go. I just don’t own a welder, so I used the one I made instead. You can see how to make it here: https://goo.gl/H0FWxE

    The longest I’ve run the unit continuously is around 3-4 minutes, and the electrodes get so hot at that point they can seriously burn your hands, or melt your gloves. I wouldn’t recommend running it any longer than that.

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